Showing posts with label Ming Dynasty. Show all posts
Showing posts with label Ming Dynasty. Show all posts

05 July 2009

Purple Clay Through The Dynasties To Modern Times

NANNING, GUANGXI, CHINA - OCTOBER 29:  Residen...Image by Getty Images via Daylife

By Jason Jia

Purple clay teapots are unique to China, and artisans integrate sculptures, calligraphy, drawings, paintings, and poetry into many of the designs. These elements make purple clay teapots not only practical tea sets, but also works of art. But they didn't start off so popular and elaborate: it was a slow road to fame.

It all begins

During the Ming dynasty (1368-1644), loose-leaf tea came into fashion. More and more people took to drinking tea, and they tried to find better tea ware. Now the stage was set for the first purple clay teapot to show up.

According to ancient sources, a boy named Gong Chun saw some people making jars using purple clay and was enlightened. "Why not use it to make teapots?" he thought. He cleansed the clay, and crafted a small purple clay teapot.

He showed this pot to his friends. They were surprised by his novel yet somewhat plain creation. And when they sampled tea brewed in the pot, they found out it was much more delicious and savory than before. They saw this pot as a remarkable innovation, and called it a Gong Chun Pot in honor of that observant and creative boy. Since then, a great number of potters have been imitating this classic style.



Did you know? Several years ago, a replica of the first purple clay teapot crafted by today's most famous potter, Gu Jingzhou, was priced at 25 thousand US dollars.

Achievements made by potters of the last two dynasties

As the Ming dynasty faded, craftsmen endeavored to create original patterns. For example, some of them blended the features of ancient bronze or gold containers into their styles. Just like the bronze prototypes, purple clay teapots gained a more dignified and royal look.

The Qing dynasty (1644 - 1912) followed, and then artisans combined exquisite carvings with purple clay teapots. They looked at everyday things such as pets and plants and put them on their pots. Furthermore, a new practice came into force: When a potter finished a teapot, he would imprint his name and seal upon his work. This way everybody would recognize that this purple clay teapot was made by him.

After many years, some craftsmen wanted to engrave complex images and landscapes on purple clay teapots. During this time, many different kinds of traditional Chinese art were added to the crafting of purple clay teapots. The invention of new tools allowed them to make more intricate designs, like Chinese characters, that were previously impossible.

Contemporary development of purple clay teapots

From the fall of the Qing dynasty to new China's opening-up to the world in the mid-to-late 20th century, purple clay teapots went through a recession. Political and social problems in this time made crafting purple clay teapots a rare luxury. But after this time, purple clay teapot workmanship was revived, and more and more skillful potters came forward. They dedicated themselves to both tradition and originality.



However, natural resources are not infinite. Purple clay is inevitably going to be depleted sooner or later. To protect this valuable reserve, the Chinese administration enacted laws to limit the amount of purple clay that can be extracted from the Yixing mines. Presently, only a relatively small quantity of purple clay is allowed to be mined annually. So real purple clay teapots are becoming harder and harder to find.

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02 July 2009

Beijing's Unique And Elegant Embroidery For Shoppers

By Andy Lao

Chinese embroidery is one of the world's oldest art forms. Even though archaeological evidence suggest artist started producing this work in the Zhou dynasty, some people believe it first appeared much earlier than that. The Ming dynasty is the period that saw the most development of this art. For hundreds of years, merchants have been transporting beautiful Chinese embroidery work to every corner of the world. When shopping in Beijing, remember to check out the exquisite work in the many embroidery shops around town.

In China, embroidery needlework is often referred to as "Nu Hong," or "Lady's Red," and there is a reason for this. Most embroidery work is created by women, this is for sure. But the amazing thing is these works perfectly bring out the true elements of feminine beauty: grace, elegance, and depth. Admire the details on one work, and you can feel like a beautiful, ancient Chinese lady is speaking to you with her soft, elegant voice.

There are four major styles of Chinese embroidery, each with its distinctive characteristics: Su embroidery, Xiang embroidery, Yue embroidery, and Shu embroidery.

Su embroidery is produced in areas around Suzhou, Jiangsu province. It is the most well-known of all styles, and the most intricate. The works often show animals, natural landscapes, and ancient Chinese gardens. Subtle yet refined colors make the people and animals look especially vivid and lifelike. One famous work shows a cat with bright eyes and smooth, fluffy hair that looks so beautiful and lifelike, a real cat would look dull in comparison.

Xiang embroidery originated in areas around Changsha, Hunan province. Of all styles, this style bears the closest resemblance to Chinese brush painting. You can often appreciate the same kind of void and solid imagery found in a traditional Chinese painting. Its excellent use of contrast of light and shade creates an impressive three-dimensional effect. All of this helps bring out the inner beauty of things. It is said that on a Xiang embroidery work, "Flowers give off fragrance, birds sing songs, tigers run, and figures come alive."

Yue embroidery is crafted in areas around Chaozhou, Guangdong province. This style is famous for its vivid patterns and vibrant colors. Unlike Xiang embroidery that focuses on bringing out the inner spirits of things, Yue embroidery emphasizes on depicting the outer beauty of objects. On a piece, all the details are closely arranged to contribute meaning to the main theme, with very little space left unworked.

Shu embroidery is the local style of Sichuan province. It became famous as a kind of artwork as early as the Eastern Han dynasty. For hundreds of years it remained the most popular embroidery style in China. A lot of people like it for its delicate colors and very regular stitching. Many everyday items in China's markets, like quilts, pillows, and clothes are decorated with Shu embroidery.

Other Chinese embroidery styles include Gu embroidery, Long embroidery, Xinzhou embroidery, Jinnan embroidery, and many ethnic embroideries.

When shopping, look for embroidery work that uses high quality thread, has intricate designs, and demonstrates a high level of workmanship. The notion of fake work doesn't apply here, since any style can be used by anyone to create embroidery items.

To keep your embroidery in a good condition for a long time, put it in a spot that is well ventilated and protected from sunlight. When shopping in Beijing, you'll find yourself better off being helped by an expert or a personal shopping assistant to find for the best embroidery products.

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